Volume 1, No. 2 - July 2001 | << Back to formatted version |
Rabab Although the Kabuli Rabab is the style that is normally thought of today, over the centuries the term has been applied to a variety of instruments. Therefore as a generic term it has been applied to a variety of instruments that even impinge upon the Sarod and the Sarangi. There is evidence that this instrument may be the progenitor of a number of Indian instruments. The Saringda, Sarod, and the Sarangi are the ones most commonly attributed to this instrument. At first it may seem hard to make the connection between a plucked instrument and a bowed instrument, however notice the "waist" in the middle of the Rabab. This is an indication that the instrument at some time was played with a bow. All bowed instruments must be narrow at the place where the bow must pass. Seni Rabab This instrument was held in great esteem in the past. The first Guru of the Sikhs, Guru Nanak is said to have had tremendous love for the instrument. It is said that he was accompanied by has friend and musical accompanist Mirdana while he sang the Gurbani. SarodSarod is an instrument which is derived from the Rabab. It is not an ancient instrument, probably no more than 150 to 200 years. It is essentially a bass Rabab. It has a metal fingerboard with no frets. The bridge rests on a taut membrane which covers the resonator. The sarod has numerous strings, some of which are drone, some are played, and some are sympathetic. It is played with a pick made of coconut shell Sarangi Saringda |
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